Gary Hess 10/3/26 Gary Hess 10/3/26 Harmonics Explained: See Them, Hear Them, and Build Musical Sounds Read More Gary Hess 9/18/26 Gary Hess 9/18/26 Three Knobs, Three Charts: Seeing What an Overdrive Pedal Is Doing Read More Gary Hess 8/29/26 Gary Hess 8/29/26 Can You See Guitar Pedal Saturation in Real Time? Read More Gary Hess 8/1/26 Gary Hess 8/1/26 Why Does This Pedal Have a Wattage Switch? Read More Gary Hess 7/11/26 Gary Hess 7/11/26 Four Key Differences Between Overdrive and Distortion (Measured & Explained) Read More Gary Hess 6/18/26 Gary Hess 6/18/26 Why Some Distortion Pedals Sound Tight But Thin Read More Gary Hess 6/3/26 Gary Hess 6/3/26 Why Distortion Pedals Cut Bass Before Clipping Read More Gary Hess 5/20/26 Gary Hess 5/20/26 Why This Overdrive’s Tone Control Works Differently Read More Gary Hess 5/6/26 Gary Hess 5/6/26 Why Some Overdrives Give You More Control for the Edge of Breakup Read More Gary Hess 4/15/26 Gary Hess 4/15/26 Why This Distortion Cuts Through Without Harshness Read More
Gary Hess 10/3/26 Gary Hess 10/3/26 Harmonics Explained: See Them, Hear Them, and Build Musical Sounds Read More
Gary Hess 9/18/26 Gary Hess 9/18/26 Three Knobs, Three Charts: Seeing What an Overdrive Pedal Is Doing Read More
Gary Hess 7/11/26 Gary Hess 7/11/26 Four Key Differences Between Overdrive and Distortion (Measured & Explained) Read More
Gary Hess 5/6/26 Gary Hess 5/6/26 Why Some Overdrives Give You More Control for the Edge of Breakup Read More